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A Look at Upcoming Innovations in Electric and Autonomous Vehicles Jonathan Glatzer’s The Audacity Targets Silicon Valley’s Moral Evasions

Jonathan Glatzer’s The Audacity Targets Silicon Valley’s Moral Evasions

“The Audacity” arrives with a pedigree that all but explains the pitch: Jonathan Glatzer, whose writing credits include “Succession” and “Better Call Saul,” turns his attention to tech wealth, status anxiety and the damage wrapped inside the industry’s language of progress. In the U.S., the series premieres on AMC on April 12 at 9 p.m. ET/PT, with streaming on AMC+ from the same date, while Australian viewers can also watch it free via SBS On Demand from April 15.

A satire built for a tech-soured moment

The premise is blunt and timely. This is a show about the people who claim they are building the future while treating privacy, mental health and ordinary human limits as collateral damage. The ingredients listed in the rollout — AI, micro-dosing, data mining, therapy culture, unicorn valuations, relationship strain and billionaire misconduct — point to a satire less interested in gadgets than in the ideology around them.

That matters because public frustration with the tech sector no longer sits at the margins. The past decade has made familiar a pattern in which companies present convenience and disruption as social good, then leave the public to absorb the costs: surveillance, dependence, labour pressure, cultural homogenisation and an increasingly blurred line between self-optimization and self-erasure. A series that treats those habits as comic material is not just chasing relevance; it is speaking to an audience that already recognizes the type.

Why Glatzer is a credible guide to this world

Glatzer’s association with “Succession” and “Better Call Saul” signals a particular strength: writing that understands power as performance. Both series excelled at showing how institutions are shaped by vanity, fear, appetite and rationalisation rather than by the grand principles their protagonists prefer to cite. Applied to Silicon Valley, that sensibility could be especially potent. Tech’s ruling class has spent years selling not only products but also a moral vocabulary in which scale implies virtue and wealth is recast as proof of vision.

That makes “The Audacity” more than another workplace satire. The strongest contemporary satires work because they capture a social dialect, and the tech sector has one of the most recognizable: therapeutic jargon mixed with investor boosterism, ethical concern expressed as branding, and a permanent promise that the next platform will fix the harms created by the last one. If the show lands, it will do so because it understands that contradiction from the inside.

How to watch the series in major markets

In the United States, “The Audacity” airs on AMC from Sunday, April 12 at 9 p.m. ET/PT, with a two-episode launch on AMC+. AMC+ plans start at $7.99 per month, and the service is currently offering a free trial. Viewers without cable can also get AMC through Sling TV’s Blue plan, with pricing that varies by location and starts at $45.99 per month.

In Canada, the show also begins on April 12 via AMC and AMC+. In Australia, AMC+ carries the series from April 12, while SBS and SBS On Demand offer a free option from April 15 at 9.30 p.m. AEDT. A U.K. release has not yet been dated. For viewers travelling abroad, the guide attached to the release recommends using a VPN to access a home subscription, with NordVPN presented as the preferred option.

The larger appeal is not access but recognition

The real hook here is not merely where to stream the show. It is the promise of seeing a culture of extreme wealth and weak accountability rendered ridiculous without softening its consequences. Tech satire works best when it shows that the absurdity is structural: the industry’s most implausible personalities are often enabled by business models, investor expectations and a public sphere that still struggles to regulate digital power.

“The Audacity” appears designed to press exactly on that nerve. Viewers may come for the Glatzer byline and the proximity to prestige television. They are likely to stay if the series captures a harder truth: many of the people reshaping modern life do not seem especially equipped to understand it.